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Ralph Waldo Emerson Essays Nature

Emerson's "Nature" contains all of his fundamental ideas, giving rise to its importance. In this essay Emerson embraces a message of a dualistic perspective on the world, maintaining that the universe is composed of two parts: the self, which represents the soul, and the other, meaning the exterior world. This world Emerson terms Nature, a world which is subordinate to the Self.

Emerson feels that through the dualistic concept of nature and "the...

Emerson's "Nature" contains all of his fundamental ideas, giving rise to its importance. In this essay Emerson embraces a message of a dualistic perspective on the world, maintaining that the universe is composed of two parts: the self, which represents the soul, and the other, meaning the exterior world. This world Emerson terms Nature, a world which is subordinate to the Self.

Emerson feels that through the dualistic concept of nature and "the idea of man," which he terms the Over-Soul, rather than through books and the teachings of the past, knowledge can be attained. Further, he contends that man should "unfetter" himself from the past and "find a pure standard in the idea of man." This original relationship of man with nature, Emerson feels, will provide new insights. Thus, Emerson's conviction that man can learn through his contact with nature underscores a precept of Romanticism that the contemplation of the natural world leads to the discovery of Truth. Talking this concept further, Transcendentalists such as Emerson feel that nature is, therefore, a reflection of the divine spirit.

A concern of Emerson is that people tend to lose their sense of wonder in nature as they age. For, those who never lose this delight in nature remain young in their spirit because nature assuages their troubles so that they, then, are able to apprehend more.

The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood.

Another of the effects of this communion with nature is that a higher level of thought and emotion overtake man, producing great delight as well as knowledge. For, the beauty and grandeur are not just in nature, but also in man's acquired perceptions and responses to nature.

"Nature" is an essay written by Ralph Waldo Emerson, and published by James Munroe and Company in 1836.[1] In the essay Emerson put forth the foundation of transcendentalism, a belief system that espouses a non-traditional appreciation of nature.[2] Transcendentalism suggests that the divine, or God, suffuses nature, and suggests that reality can be understood by studying nature.[3] Emerson's visit to the Muséum National d'Histoire Naturelle in Paris inspired a set of lectures he later delivered in Boston which were then published.

Within the essay, Emerson divides nature into four usages: Commodity, Beauty, Language and Discipline. These distinctions define the ways by which humans use nature for their basic needs, their desire for delight, their communication with one another and their understanding of the world.[4] Emerson followed the success of "Nature" with a speech, "The American Scholar", which together with his previous lectures laid the foundation for transcendentalism and his literary career.

Synopsis[edit]

In "Nature", Emerson lays out and attempts to solve an abstract problem: that humans do not fully accept nature's beauty. He writes that people are distracted by the demands of the world, whereas nature gives but humans fail to reciprocate. The essay consists of eight sections: Nature, Commodity, Beauty, Language, Discipline, Idealism, Spirit and Prospects. Each section takes a different perspective on the relationship between humans and nature.

In the essay Emerson explains that to experience the "wholeness" with nature for which we are naturally suited, we must be separate from the flaws and distractions imposed on us by society. Emerson believed that solitude is the single mechanism through which we can be fully engaged in the world of nature, writing "To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars."

When a person experiences true solitude, in nature, it "take[s] him away". Society, he says, destroys wholeness, whereas "Nature, in its ministry to man, is not only the material, but is also the process and the result. All the parts incessantly work into each other's hands for the profit of man. The wind sows the seed; the sun evaporates the sea; the wind blows the vapor to the field; the ice, on the other side of the planet, condenses rain on this; the rain feeds the plant; the plant feeds the animal; and thus the endless circulations of the divine charity nourish man."

Emerson defines a spiritual relationship. In nature a person finds its spirit and accepts it as the Universal Being. He writes: "Nature is not fixed but fluid; to a pure spirit, nature is everything."[citation needed]

Theme: spirituality[edit]

Emerson uses spirituality as a major theme in the essay. Emerson believed in reimagining the divine as something large and visible, which he referred to as nature; such an idea is known as transcendentalism, in which one perceives a new God and their body, and becomes one with their surroundings. Emerson confidently exemplifies transcendentalism, stating, "From the earth, as a shore, I look out into that silent sea. I seem to partake its rapid transformations: the active enchantment reaches my dust, and I dilate and conspire with the morning wind", postulating that humans and wind are one. Emerson referred to nature as the "Universal Being"; he believed that there was a spiritual sense of the natural world around him. Depicting this sense of "Universal Being", Emerson states, "The aspect of nature is devout. Like the figure of Jesus, she stands with bended head, and hands folded upon the breast. The happiest man is he who learns from nature the lesson of worship".

According to Emerson, there were three spiritual problems addressed about nature for humans to solve: "What is matter? Whence is it? And Whereto?" What is matter? Matter is a phenomenon, not a substance; rather, nature is something that is experienced by humans, and grows with humans' emotions. Whence is it and Whereto? Such questions can be answered with a single answer, nature's spirit is expressed through humans, "Therefore, that spirit, that is, the Supreme Being, does not build up nature around us, but puts it forth through us", states Emerson. Emerson clearly depicts that everything must be spiritual and moral, in which there should be goodness between nature and humans.[5]

Influence[edit]

"Nature" was controversial to some. One review published in January 1837 criticized the philosophies in "Nature" and disparagingly referred to beliefs as "Transcendentalist", coining the term by which the group would become known.[6]

Henry David Thoreau had read "Nature" as a senior at Harvard College and took it to heart. It eventually became an essential influence for Thoreau's later writings, including his seminal Walden. In fact, Thoreau wrote Walden after living in a cabin on land that Emerson owned. Their longstanding acquaintance offered Thoreau great encouragement in pursuing his desire to be a published author.[7]

References[edit]

External links[edit]

Emerson by Eastman Johnson, 1846
  1. ^Nature. Boston: James Munroe and Company. 1836. Retrieved February 3, 2018 – via Internet Archive. 
  2. ^Liebman, Sheldon W. “Emerson, Ralph Waldo.” The Oxford Encyclopedia of American Literature. Ed. Jay Parini. Oxford University Press, 2004. Web.
  3. ^“Transcendentalism.” The Oxford Dictionary of English. 2010. Web.
  4. ^Emerson, Ralph Waldo. "Nature". The Oxford Companion to American Literature. Ed. James D. Hart. Rev. Philip W. Leininger. Oxford University Press, 1995. Web.
  5. ^Baym, Nina, Wayne Franklin, Philip F. Gura, and Arnold Krupat. The Norton Anthology of American Literature.
  6. ^Hankins, Barry. The Second Great Awakening and the Transcendentalists. Westport, CT: Greenwood Press, 2004: 24. ISBN 0-313-31848-4
  7. ^Reidhead, Julia. "Henry David Thoreau", The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2008. 825-828. Print.